Feb 16 2009
Doctor Who: Genesis of the Daleks (Review)
DOCTOR WHO: GENESIS OF THE DALEKS (1975)

The Time Lords (Doctor Who’s bosses) enlist the Doctor for a mission of grave importance on the planet of Skaro. And by enlist, I mean forciblly bring him to planet before the Doctor even knows about the mission. Along with his two companions, Sarah Jane and Harry, the Doctor must find a way to stop the killing machines known as the Daleks by preventing their creation or at least hindering them (just guess what he ends up doing). The three arrive during a war between the Kaleds and the Thals. The Kaleds are headed by Davros, the supreme ruler and half a Dalek himself, who creates the Dalek race right before the Doctor’s eyes. With the Doctor and Harry captured by the Kaleds, Sarah used for slave labor by the Thals and no way off Skaro except for a ‘Time Ring’, this is one of the Doctor’s darker missions.
Now the Daleks themselves are not that intimidating considering how many people they kill. After all, how can you take a moving trashcan with a plunger seriously even if it is holding a laser rifle? Thankfully, the Daleks don’t take too much screentime. Most of the time is spent on the raspy-voiced Davros (who is played by a very competent actor despite the pounds of makeup and limited mobility) and the strict soldiers. The story of the war itself is more effective than watching each side take heavy losses in the form of miniature explosions, fake looking deaths via gunshots, and using negative color to create the illusion of a laser explosion. If you can get past all that, there is a fascinating story of biological warfare, genocide, the price of war, and the will to survive. Tom Baker is at his best in this serial despite not cracking as many jokes as usual. This time he is more serious considering the gravity of the mission. In terms of overacting, the only times I’d say the actors are at fault are when they play dead. I didn’t by a single death considering everyone falls down awkwardly or screams and flails their arms about. Despite the best efforts of the director and the designers, Doctor Who is really one of the shows where the science fiction elements are better on paper. No wonder there was a radio program.
Despite the dated and low-budget special effects (which I’ve come to accept from early Doctor Who), the story succeeds for it’s strengths in the drama and the acting. So for Doctor Who, this is one of the better stories. If you have to watch one Doctor Who serial, I’d recommend either this one or City of Death. Just don’t go in expecting the best special effects. I mean, this is 1970’s television were talking about here.


